bywyd

What I've recently finished reading:

1984 by George Orwell (reread, but first read nearly 40 years ago, so.) This book requires a great deal of suspension of disbelief; it's more of an allegory of fascism, an exaggerated cartoon version, than it is actual fascism. But that's the point, I think. It's the authoritarian nightmare writ very very large, and I hope that enough people are reading it now to be scared into fighting the authoritarian nightmare which is slowly establishing its tentacles across the US. (And that they don't get so chilled by the downer ending that they believe that it's impossible to fight...)

A few things stood out to me about this book written in 1949. First, it's interesting that ideology isn't actually important here; the object is to amass and retain power, and I think that's true of our current regime. Second is the importance of stamping out every bit of creativity and independent thought, even getting rid of words describing creativity and independence, such that even the books and songs produced by the government are created by computers (cough AI cough) and lightly edited by humans. Very prescient and chilling! And of course the thing that brings this book to mind and has put it on so many contemporary reading lists is the idea of editing information about the past to bring it in line with what the government wants people to believe - which is what the regime is attempting now.

I mostly enjoyed it (if "enjoyed" is the correct word) though the protagonist's view of women was a bit madonna/whoreish, kind of weird, and I wondered how much it reflected the author's feelings. (However, it's obvious to me that the in-universe view of Jews is very clearly intended to be part of the throughline connecting to Nazism, so I am not sure why I feel more uncomfortable about the portrayal of women.) Also there's a whole section in the middle which is a lengthy quote from a purported book by Goldstein, the leader of the Resistance, and that's just ugh boring clunky exposition in the middle of what is for the most part powerful prose. But otherwise, I'm glad I read it again, in these times, where we are led by small men who want to amass power for power's sake, and be cruel for cruelty's sake, and put their boots on everybody's faces.

What I'm reading now:

My hold on the third Emily Wilde book by Heather Fawcett came in at the library, so I'm reading Emily Wilde's Compendium of Lost Tales. The beginning was terribly confusing but I'm starting to get into it.

What I recently finished watching:

We finished Arcane, which - I have mixed feelings about. Actually, it kind of reminds me of Andor - no, not the downtrodden rising up against the elite (though okay, there are some elements of that) but the plot veering off sideways and jumping around and things that seem like they're important getting dropped and things coming suddenly out of nowhere. (So maybe it was supposed to be a longer series that got canceled so they had to cram everything into the second season?) I am still not sure what Viktor's whole deal was, or what exactly the "arcane" is, or the invasion at the end, or...and then I looked up the game it's based on and it's a battle arena game, so I am not sure where this plot came from! Anyway, I loved the art, liked a lot of the characters and their relationships, didn't really care for the way the story evolved in S2.

What I'm watching now:

Untamed, which is the Netflix murder mystery miniseries set in Yosemite, not the Chinese drama - that one has a The in front of it. Eric Bana and Sam Neill are in it but we're really watching for the lavish scenery porn, which is definitely amazing. (Also some of it takes place in Mariposa, so it makes me think of rachelmanija, though I don't know if it's actually filmed there or if it even makes sense to be taking place there.)